Oil paintings, cut for the desktop you work at
Collections painted in oil. One price takes the whole set, in both cuts.
Measuring your screen…
Frame set to 1600 × 1000 · 16 : 10
Two cuts. Not two crops.
Every plate is painted twice: once wide for the screen you work at, once tall for the one in your pocket. Neither is a crop of the other.
The sample wall
Every set hangs as a mitred corner sample, because the corner is where a finish tells the truth.
Riviera
Late sun, Ligurian coast
Seven harbours, headlands and terraces painted into the last hour of usable light, when the water stops being blue and starts being metal.
- Cadmium orange
- Cerulean blue
- Raw umber
- Ultramarine
- Payne's grey
- Plates
- 7
- Files
- 14
- Cuts
- Both
Motors
7 platesEngine off, still ticking
- Cerulean blue
- Raw sienna
- Olive green
- Burnt umber
- Prussian blue
The Long Weekend
9 platesNothing in the diary
- Yellow ochre
- Cerulean blue
- Burnt umber
- Prussian blue
- Indigo
Court & Field
4 platesTwo o'clock, no shade
- Olive green
- Cerulean blue
- Cadmium orange
- Burnt sienna
- Raw umber
The Shelf
7 platesNorth window, one bottle
- Lead white
- Naples yellow
- Raw umber
- Burnt umber
- Payne's grey
Small Rebellions
5 platesMonday, allegedly
- Naples yellow
- Yellow ochre
- Raw umber
- Cerulean blue
- Indigo
How the shop works
6 collections39 plates2 Cuts
- I
Choose a set
Sets are bought whole. Every painting in the collection comes with it, and there is no per-picture upsell.
- II
The shop cuts
Each plate is composed separately for each opening. You are not handed one wide file and left to crop it on a phone.
- III
Hang it
The whole set, on the desk and in your pocket. Set them once and forget the files ever existed.
Pick a set. It will fit.
The visible opening of a frame, and the exact measure a painting is cut to.